Category Archives: Design and typography

Another option for a minister’s loose-leaf services book

Binder
I can't believe I'm suggesting this.
Some time in seminary (now many years ago) a seasoned minister advised me to “start getting my ‘book’ together” — by which he meant services for weddings and funerals. And uniformly in a half-letter-sized (5.5 by 8.5 inches) three ring binder. It was covered in black vinyl, which was utilitarian. if not interesting to look at.

I had used identical binders as a kid — we’re talking the early 80s now — for my stamp collecting, but at least they came in different colors! Around 2000, these black ones were all that I could find, and even these became scarce — they do wear out — so I bought a couple in case they vanished completely. But then they returned, even in colors, but in an over-designed way that made them better for a commercial office but ugly for worship.

 

Well, lo-and-behold if the new Martha Stewart line of home office binders doesn’t fit the bill, including this very nice one in pebbled brown paper. At Staples, $7. Made by Avery, who also make the commercial ones. Indeed, the locking-rings mechanism is identical, so all the now-available tabs, paper and binder whatsits will also fit.

Your song for Epiphany

I’m not alone in having a special heartplace for the feast of the Epiphany. In part, it’s a holiday in the larger Christmas cycle that is hard to commercialize (in the United States) despite its obvious gift-giving tie-in, and so is easy to observe as a religious holiday in exactly the way Christmas cannot be. (Another part of me — with childhood memories in New Orleans — loves it as the first day to get a king cake.)

Now, a lower-calorie way to mark the day. The collected Christmas songs of Sufjan Stevens got me through a rough season. So for your enjoyment:

Or a direct link: http://music.sufjan.com/track/all-the-kings-horns

Perhaps you’d prefer a typeface instead? (If you have a modern browser, you’re already enjoying it as this blog’s body type.)

How to type in special symbols

A little tip from my own workflow.

Sometimes you need a special symbol in your blog post, document or what have you. (For example, a single proper ellipsis is one character, rather than using five to confect one from periods and spaces; useful when you’re using Twitter and only have 140 characters….) This is where Unicode encoding comes to the rescue. Rather than comb though various keyboard lists or hunt for a sample from a web search, you can type them directly. If you use an obscure glyph often — say a Maltese cross in an order of service — it can save time, too. It’s just a question of having the Unicode number of the symbol you want to use. Memorize it, or have a cheat sheet handy.

See this page for how to input Unicode characters in your operating system. As an Ubuntu Linux user, I hold Control, Shift and u together. This creates an underlined u character. Then I type in the four or five character Unicode number and hit enter. The desired symbol appears.

Here is a selection of Unicode symbol codes I use often — a cheat sheet for me (and you). But there are tons more.

¶ 00B6 pilcrow
· 00B7 middle dot
½ 00BD one-half
† 2020 dagger
€ 20AC Euro
? 22EF ellipsis
? 266B beamed eighth notes
? 2615 hot beverage (coffee)
? 2116 numero
? 2720 Maltese cross
? 2709 envelope
? 2123 versicle
? 211F response

(And now I see I need to have this blog render in a more Unicode-rich font.)

Occupy signage?

One ordinary to-do issue that came up at the prayer tent at Occupy DC (#OccupyDC) is signage. Indeed, clear signage — for intra-camp use, much less for signs and banners in demonstrations — is an issue.

For which, I’d like to point out a open-source signage font called Allerta.

The Allerta Kit from Matt McInerney on Vimeo.

There’s a coordinating font for print pieces; the typeface includes glyphs commonly needed for signs, for “bus”, “women”, “men”, “food”, arrows and the like.

The font file (at the link above), the open-source Inkscape software (or Adobe Illustrator), printouts, tracing paper (or the old pencil rubbing on scrap paper trick), some thin board (cereal boxes?) and a craft knife could do wonders.

Alas! there’s no Angus Dei/Lamb and Flag for the prayer tent!

Planned upgrades and tech projects

  1. This blog needs a little refreshing. I’ll look over my reader analytic data and best practices and make some changes. At the very least some new typography, navigation enhancements and a new picture of me.
  2. I’m tempted to use some icons about “311, Health & Nutrition, Democracy, Neighborhoods, Education, and Transportation” from The Noun Project. Some are pretty good. The Soup Kitchen icon seems, for what it’s worth, flaming chalice-ish.  (As does the Unicode symbol for hot springs: ♨ ) Fun.
  3. I’ve been a long fan of UUpdates, an aggregation site for Unitarian Universalist bloggers. and use it almost daily. But it has grown so much that I need an aggregator of my own of blogs I like and actually read, and which have a feed (which most do). I plan to share it.

D.C. map of stereotypes

Something for the home team during my low-blogging August. The SocialStudies blog — from the half-off-cupcakes SocialLiving people — has produced a map of the District of Columbia overlaid with not-wrong stereotypes of the different neighborhoods.

Some will only make sense if you live here; say, “mumbo sauce” — a concoction native to D.C. that the Chinese carryouts serve with chicken wings. And I can’t (or won’t) say the large sections called “white people” and “Marion Barry” are particularly insightful since I rarely go to either area.

But I do live in the part called “gay” and walk to work in (or near) the “non-profits & acronyms” so make of it as you will.

Big version

Your booth is too white

That’s not a racial assertion, but an aesthetic one. At General Assembly, some booths in the exhibit hall were visually attractive and others were bland, and it was largely a function of the use of color. But there are some steps to make a booth more interesting.

Let’s consider how exhibit halls are set up. These are usually barn-like facilities with concrete floors and neutral-colored walls and ceilings. The carpeting is an added cost, which explains why some of the larger areas were uncarpeted. The space is subdivided by a “pipe and drape” system. The tables are draped. The carpet and “drapes” are chosen from a limited color pallet, with a decided bias to dark blue, white and gray. Having a uniform color scheme — this year: dark blue carpet and booth drapes; white on the tables — simplifies exhibit administration and probably controls cost. So I don’t expect that to change.

Booth layout, decor and purpose shape the look. Of course, a booth serving as a boutique for colorful clothing will be more visually attractive than a row of tables piled with printed reports, but that’s little comfort if it’s your report that needs to get distributed. This is what I would do.

Assuming there are not hoards expected, but rather you’re hoping to interest by-standers, do place the tables along the back of the booth, or along either side, but not parallel to the aisle like Lucy’s psychiatric help stall in Peanuts; it literally keeps people out and necessarily focuses the eye to the paper. The next idea will be less popular. Have one and preferably two agents standing in the booth. The posture of standing (wheelchair users excepted) is a signal of attention for those passing by. Two? One to engage bypassers and another to assist those already attracted.

Colorful, printed cards might be the best handout: something that advertises the program and, if appropriate, shares a link where interested persons can download the resources, saving money, paper and the effort of hauling print pieces. Modern Postcard and Vistaprint are two good, affordable printers I’ve have first-hand experience of.  If you want to collect info, be sure to provide a clipboard and have plenty of pens at hand. Not as sexy as QR codes or using some a computer or tablet or what-have-you but very cheap and unlikely to fail.

Props help make a booth attractive, though I think video is over-rated for exhibit halls (unless your project is nothing but video). The clip played needs to be short enough to interest a passing person to stay put — a hard sell — and be large enough to be seen, which rules out most laptops. I’d not bring a TV or larger monitor either. When you add an electrical plug, a wired Internet connection or both, you might well double the cost of your exhibit. (Assuming they’re available; they weren’t years ago, if I correctly recall.) That doesn’t bear up as good value, but you might have reasons to disagree.

Better to use a banner, I think. Not the kind congregations carry at the General Assembly opening ceremony, but rather one that has grommets or loops at the top, can be made rigid at the top with the insertion of a dowel or pipe just below that, and has drape weights at the bottom. Use “S”-hooks to hang it by the grommets or loops from the pipe that frames the booth. If a table is set against the back of the booth, and an undraped table is an option, a matching tablecloth is a good option, too. Consider the basic colors of this banner and tablecloth as contrasting with dark blue, gray and white unless you can change it each year and learn what the default colors are before GA. The “Standing on the Side of Love” gold would be ideal, but might be best avoided to give your program a distinctive look.

I have other ideas, but I’ll share those with those I work with. Your thoughts?

A Christian emblem I like

I’m thinking of options for an emblem for the new church I’m planning. It should be

  • distinctively Christian, but not a cliché
  • simple enough for someone to draw free-hand (a standard I’ve seen for picking out graphically-successful flags)
  • correctly displayed in black and white

I’ve suggested the heptagram before, but that’s a bit obscure. I’m warming up to a knotted cross.

  • they’re used in Ethiopia (consider this lovely one) and Armenia, the two earliest countries to adopt Christianity.
  • they may have influenced Celtic knot themes.
  • they’re graphically interesting.
  • the woven character is also a vibrant image of the interconnectness of humanity and creation.
  • the squared-off design has a modern look.

Ah, but the cross as I envision it doesn’t exist as such as a logo. I’ve seen styles I like made a processional crosses, but these are obviously artefacts and in any case the lower (southward) bar it taken up with the place where it’s mounded on a staff.

I imagine something not unlike four Endless Knots — itself a Tibetan Buddhist emblem —  interlinked in some way at the middle.

If I can be drawn with forty interstices, that would be rather auspicious.